Dolby Vision workflow: Balancing SDR 100-nit anchor vs. primary HDR grade?

Posted by Sarah Chen in Cinematography February 17, 2026 2 views · 1 replies

Hey everyone,

I'm deep into a new commercial project, shooting on the ALEXA 35 with a lot of practicals and SkyPanel X units, aiming for a robust Dolby Vision HDR delivery. The outlined Dolby Vision workflow, especially around trim passes, makes theoretical sense, but I'm curious about real-world application.

Specifically, how do you all tackle the initial balancing act between your SDR 100-nit anchor grade and the primary HDR grade? Do you tend to push your HDR further, knowing the trim will pull the SDR into line, or try to find a more balanced middle ground from the start? I've been experimenting with a slightly more conservative HDR, then pushing trims, but wondering if there’s a more efficient approach.

What are your personal strategies for this? How do you adapt this part of the process?