Large Format Steadicam: Composing for Shallower DOF?

Hey everyone, Omar here, working a feature with a VENICE 2 and Supreme Primes. I'm finding the super shallow depth of field, even at T2.8, is really changing how I frame up shots compared to my Super 35 days with an ALEXA Mini. It feels like every subtle movement on Steadicam can throw focus off dramatically, especially on wider lenses where you'd normally have a bit more forgiveness. I'm trying to rely more on blocking to define planes of action, but it's a constant battle between keeping the subject sharp and maintaining that creamy background. I'm curious for those of you who have made the jump to large format, how has your approach to composition and achieving those shallower depth of fields changed from the Super 35 era? Any specific techniques or considerations you've found helpful for Steadicam?