Set Deconstruction - Avoiding Premature Dumps (PDs, need your insight!)

Hey fellow filmmakers, gaffer here. I'm currently working on a feature with an AMIRA and a few Leko 300x units, and we're trying to be as sustainable as possible. I've been doing a lot of reading, and one thing that keeps coming up as a major source of waste is 'dumping sets prematurely.' This really caught my attention.

From my end, I've seen it happen when a shoot runs over, or there's a last-minute change to the schedule, and suddenly a set that was supposed to be re-used or carefully packed up just gets torn down. It feels like a real waste of resources and effort that went into building it.

My question for the production designers out there: what are the most common pitfalls that lead to sets being dumped prematurely? And, more importantly, how can a production designer approach their work from the very beginning to ensure sets are designed with efficient deconstruction, storage, or even re-use in mind? Are there specific materials, construction methods, or planning strategies that help avoid this?