When 1000-nit Grading Meets Consumer TV Realities: HDR Translation Issues?

Grading on a 1000-nit reference monitor, while ideal for accuracy, frequently fails to translate well to consumer TVs due to their widely varying peak nit levels and proprietary tone mapping algorithms, often leading to clipped highlights or desaturated colors. From the grip side, I see this all the time on set when we're trying to replicate a look calibrated for an ALEXA 35 and an Orbiter on an on-set SmallHD Cine 13 HDR. What looks perfect in a controlled environment on the BVM-HX3110 for the DIT often comes across differently when the director watches dailies later on their living room TV. This isn't just about brightness; it's about how different TVs handle the expanded color volume and contrast. The guide "The Complete Guide to Shooting for HDR and Dolby Vision" (https://blockreeldao.com/blog/the-complete-guide-to-shooting-for-hdr-and-dolby-vision) correctly emphasizes the professional standard, but the real-world viewing experience can be jarringly different. How are you all adapting your HDR workflows or final deliveries to account for this consumer-side variability without compromising the master grade?