Audio Workflow: Your 'Alts' & 'Metadata' Delivery Hacks?

Hey everyone,

I'm Catalina, a location scout, and I'm constantly trying to refine my workflow, especially when it comes to delivering clean, well-organized audio. We're shooting a lot of interview-style content lately, often with an ARRI ALEXA 35 and an URSA Mini Pro G2 on other units, and I'm personally always trying to get better at anticipating post-production needs.

I've read through a ton of those 'best practices' guides for prepping production audio. They're great in theory, but I'm curious about real-world application. Specifically, for those of you who've really nailed down your audio workflow for 'Alts' or 'Metadata,' what's ONE specific, perhaps small, tweak or step you've added to your personal process that has genuinely made a huge difference in your 'Delivery' phase?

I've been trying to be more diligent with my MixPre-10 II notes, but it feels like there's always more I could be doing. Share your secret sauce!